Essay

No Concessions!

by Nathan Gelgud

An excerpt from cartoonist Nathan Gelgud’s latest satirical serial.

by Ryûsuke Hamaguchi

Why the director is, in the eyes of Ryûsuke Hamaguchi, the young master.

by Kelley Dong

On Fritz Lang’s slippery noir about the power of images and dreams in the American police state.

by Bruce Bennett

The Old Dark House smash that rang in Hammer’s postwar horror new wave.

by Caden Mark Gardner

On the rediscovery of a lost film tackling the complexities and pleasures of gender expression in the Balkans.

by Luke Goodsell

On the formidable collaborations of the Aragonese filmmaker and his American muse.

by Alena Lodkina

On the actress-turned-filmmaker’s unsung authorship.

by Phil Coldiron

On the most elaborate of Gregory Markopolous’s modern myths.

by Ryuichi Sakamoto

An excerpt from the prodigious musician’s remarkable, newly translated autobiography.

by Natalia Winkelman

On the late Norwegian filmmaker, master chronicler of feminine ennui.

by Paul McAdory

On the death of the critic in M. Night Shyamalan’s watery fairy tale.

by Keva York

Eckhart Schmidt’s chilling cult fable and the all-consuming side of pop fandom.