Essay

Geraldine Chaplin and Carlos Saura

by Luke Goodsell

On the formidable collaborations of the Aragonese filmmaker and his American muse.

by Alena Lodkina

On the actress-turned-filmmaker’s unsung authorship.

by Phil Coldiron

On the most elaborate of Gregory Markopolous’s modern myths.

by Ryuichi Sakamoto

An excerpt from the prodigious musician’s remarkable, newly translated autobiography.

by Natalia Winkelman

On the late Norwegian filmmaker, master chronicler of feminine ennui.

by Paul McAdory

On the death of the critic in M. Night Shyamalan’s watery fairy tale.

by Keva York

Eckhart Schmidt’s chilling cult fable and the all-consuming side of pop fandom.

by Genevieve Yue

On Coppola’s gorgeous and stubbornly old-fashioned approach to the immortal tale.

by Will Sloan

On Jack Hill’s classic horror-comedy, a film outside of time.

by Kelli Weston

On women who haunt women.

by Annabel Brady-Brown

On Ted Kotcheff’s masterwork and the great rude awakening of Australian cinema.

by Elissa Suh

On Angie Chen’s newly restored rebellious portrait of womanhood and sex work in late ’50s Hong Kong.