Essay
Green Snake
On Tsui Hark’s subversive reimagining of an immortal Chinese folk tale, starring Maggie Cheung as a serpent demon.
On Tsui Hark’s subversive reimagining of an immortal Chinese folk tale, starring Maggie Cheung as a serpent demon.
On two defining Iranian filmmakers, and two of their most enduring works.
On the pulse of pleasure in Banmei Takahashi’s effervescent Pink drama.
On Max Ophuls’s first feature and the signature tragedies it set in motion.
The last gasp of revolution in Robert Kramer’s not-quite-agitprop thriller.
On Luc Moullet’s beautifully perverse and eternally shapeshifting Western.
Translated into English for the first time by Ted Fendt—a chapter from the French New Wave filmmaker’s memoirs, detailing the making of his 1971 “Bouillabaisse Western” A Girl is a Gun.
On the romance that shaped Vietnamese revolutionary cinema.
Encountering the master cinematographer through his own words.
A new translation of Victor Erice’s tribute to Nicholas Ray.
Revisiting Gurinder Chadha’s early exploration of Asian identity in Britain.
Six movie roles that made the quietly magnetic actor a global star.