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Films Showing

December 10

Singin' in the Rain

Singin' in the Rain

11:00am
DIRECTOR: STANLEY DONEN AND GENE KELLY
1952 / 103min / DCP
The greatest movie musical of all time, Stanley Donen and Gene Kelly’s meta marvel takes place near the tail end of the silent film era, when Hollywood’s biggest stars were anxiety-ridden about the looming threat of talking pictures.
The Umbrellas of Cherbourg

The Umbrellas of Cherbourg

11:00am
DIRECTOR: JACQUES DEMY
1964 / 92min / DCP
Jacques Demy’s poignant, particolored all-singing musical tracks the romance between ridiculously good-looking young couple Catherine Deneuve and Nino Castelnuovo but when a war threatens to tear them apart Deneuve must make the ultimate choice.
The Devil Rides Out

The Devil Rides Out

1:15pm
DIRECTOR: TERENCE FISHER
1968 / 95min / DCP
Investigating a satanic plot leads Lee’s Duc de Richleau, on the side of good for once, into a black magick circle led by Charles Gray, and face-to-face with occult horrors.
Fascination

Fascination

3:15pm
DIRECTOR: JEAN ROLLIN
1979 / 80min / DCP
a hypnotic, dream logic-driven period piece set in motion when a thief takes refuge in a château presided over by beautiful Brigitte Lahaie and Franca Maï, a film that begins with abattoir home remedies and leads to swinging aristocrats and swinging scythes.
The Haunting

The Haunting

1:00pm5:15pm
DIRECTOR: ROBERT WISE
1963 / 112min / 35mm
The “Old Dark House” setting, a staple of Gothic fiction, was given a new lease on life in this harrowing cinematic dark ride by former Val Lewton director Wise, an ingenious work of devilish, leering camera trickery.
Nosferatu the Vampyre

Nosferatu the Vampyre

3:15pm7:30pm
DIRECTOR: WERNER HERZOG
1979 / 107min / 35mm
Herzog brashly took up the mantle of German Expressionism in revisiting the unhallowed soil of Murnau’s masterpiece, with old foe and collaborator Klaus Kinski as the pestilent Count and Isabelle Adjani as the owner of the pale, slender neck that he so dearly desires to drink of.
Spider Baby

Spider Baby

7:30pm
DIRECTOR: JACK HILL
1967 / 81min / 35mm
Chauffeur Lon Chaney, Jr. attempts to cover up the cannibalistic indiscretions of his charges, the Merrye family, as distant relations try to sell their house out from under them.
Women in Love

Women in Love

9:30pm
DIRECTOR: KEN RUSSELL
1969 / 131min / DCP
Russell’s D.H. Lawrence adaptation was a rollicking succès de scandale when it first appeared, infamous for, among other things, a disrobed fireside tussle between best mates Oliver Reed and Alan Bates.
Gothic

Gothic

5:30pm9:45pm
DIRECTOR: KEN RUSSELL
1986 / 87min / 35mm
Russell goes back to the ground zero of gothic horror, to the dark and stormy night at Lord Byron’s Lake Geneva villa in 1816 that led to Mary Shelley writing Frankenstein and Dr. John William Polidori writing The Vampyre.

All

Singin' in the Rain

Singin' in the Rain

DIRECTOR: STANLEY DONEN AND GENE KELLY
1952 / 103min / DCP
The greatest movie musical of all time, Stanley Donen and Gene Kelly’s meta marvel takes place near the tail end of the silent film era, when Hollywood’s biggest stars were anxiety-ridden about the looming threat of talking pictures.
The Umbrellas of Cherbourg

The Umbrellas of Cherbourg

DIRECTOR: JACQUES DEMY
1964 / 92min / DCP
Jacques Demy’s poignant, particolored all-singing musical tracks the romance between ridiculously good-looking young couple Catherine Deneuve and Nino Castelnuovo but when a war threatens to tear them apart Deneuve must make the ultimate choice.
The Haunting

The Haunting

1:00pm5:15pm
DIRECTOR: ROBERT WISE
1963 / 112min / 35mm
The “Old Dark House” setting, a staple of Gothic fiction, was given a new lease on life in this harrowing cinematic dark ride by former Val Lewton director Wise, an ingenious work of devilish, leering camera trickery.
The Devil Rides Out

The Devil Rides Out

DIRECTOR: TERENCE FISHER
1968 / 95min / DCP
Investigating a satanic plot leads Lee’s Duc de Richleau, on the side of good for once, into a black magick circle led by Charles Gray, and face-to-face with occult horrors.
Fascination

Fascination

DIRECTOR: JEAN ROLLIN
1979 / 80min / DCP
a hypnotic, dream logic-driven period piece set in motion when a thief takes refuge in a château presided over by beautiful Brigitte Lahaie and Franca Maï, a film that begins with abattoir home remedies and leads to swinging aristocrats and swinging scythes.
Nosferatu the Vampyre

Nosferatu the Vampyre

3:15pm7:30pm
DIRECTOR: WERNER HERZOG
1979 / 107min / 35mm
Herzog brashly took up the mantle of German Expressionism in revisiting the unhallowed soil of Murnau’s masterpiece, with old foe and collaborator Klaus Kinski as the pestilent Count and Isabelle Adjani as the owner of the pale, slender neck that he so dearly desires to drink of.
Gothic

Gothic

5:30pm9:45pm
DIRECTOR: KEN RUSSELL
1986 / 87min / 35mm
Russell goes back to the ground zero of gothic horror, to the dark and stormy night at Lord Byron’s Lake Geneva villa in 1816 that led to Mary Shelley writing Frankenstein and Dr. John William Polidori writing The Vampyre.
Spider Baby

Spider Baby

DIRECTOR: JACK HILL
1967 / 81min / 35mm
Chauffeur Lon Chaney, Jr. attempts to cover up the cannibalistic indiscretions of his charges, the Merrye family, as distant relations try to sell their house out from under them.
Women in Love

Women in Love

DIRECTOR: KEN RUSSELL
1969 / 131min / DCP
Russell’s D.H. Lawrence adaptation was a rollicking succès de scandale when it first appeared, infamous for, among other things, a disrobed fireside tussle between best mates Oliver Reed and Alan Bates.
Lost Highway

Lost Highway

DIRECTOR: DAVID LYNCH
1997 / 134min / 35mm
The film is a noir-inflected, shape-shifting southern California deathtrip, features several slabs of Rammstein, a Marilyn Manson cameo, and a soundtrack compiled by Trent Reznor.
Possession

Possession

DIRECTOR: ANDRZEJ ŻUłAWSKI
1981 / 124min / 35mm
Żuławski’s one-of-a-kind genre pastiche has spy Sam Neill returning to his Berlin home from a mission abroad to discover that wife Isabelle Adjani wants suddenly to split up.
Girlfriends

Girlfriends

DIRECTOR: CLAUDIA WEILL
1978 / 86min / 35mm
A photographer and her girlfriend are roommates; when her roommate decides to get married and leave, she feels hurt and has to learn how to deal with living alone.
Freud

Freud

DIRECTOR: JOHN HUSTON
1962 / 140min / 35mm
John Huston's pseudobiographical movie depicts five years from 1885 on in the life of the Viennese psychologist Sigmund Freud.
Wormwood

Wormwood

DIRECTOR: ERROL MORRIS
2017 / 241min / DCP
A twisting, evolving story of one man’s sixty-year quest to identify the circumstances of his father’s mysterious death.
Twilight

Twilight

DIRECTOR: CATHERINE HARDWICKE
2008 / 122min / DCP
Thanks to director Hardwicke’s deep understanding of and love for teenage self-dramatizing, the lushly melancholy atmosphere of the Washington State setting, and the enormous charisma of the young leads, Twilight came out a modern pop classic.
Near Dark

Near Dark

DIRECTOR: KATHRYN BIGELOW
1987 / 94min / 35mm
Southern farm boy Adrian Pasdar takes a fancy to pallid stranger Jenny Wright, but later has occasion to regret it when he meets her “family”—a gang of hungry, pistol-packing vampires terrorizing the southwestern countryside in a roving RV.
MEET ME IN ST. LOUIS

MEET ME IN ST. LOUIS

DIRECTOR: VINCENTE MINNELLI
1944 / 113min / 35mm
A trailblazing “naturalist” musical set at the turn follows the four Smith sisters as they navigate growing up on the eve of the World's Fair and a looming move to New York.
Auntie Mame

Auntie Mame

DIRECTOR: MORTON DACOSTA
1958 / 143min / 35mm
“Life is a banquet, and most poor suckers are starving to death!” So says Rosalind Russell’s extravagant Auntie Mame, mentoring an orphaned nephew in the art of living in her Park Avenue palace, where the Jazz Age is in full swing.
Dracula

Dracula

DIRECTOR: TOD BROWNING
1931 / 85min / 35mm
All of modern vampiredom issued out from under the cloak of Bela Lugosi’s suave, seductive Transylvanian Count, his every carefully-enunciated line reading the stuff of legend.
The Witches (Le streghe)

The Witches (Le streghe)

DIRECTOR: LUCHINO VISCONTI, PIER PAOLO PASOLINI, VITTORIO DE SICA, FRANCO ROSSI, AND MAURO BOLOGNINI
1967 / 105min / 35mm
Produced by Dino De Laurentiis during the height of the multi-director anthology film’s brief popularity, this quintet of strange tales is linked by a preoccupation with witchcraft and the presence in each episode of Silvana Mangano.
The Hunger

The Hunger

DIRECTOR: TONY SCOTT
1983 / 97min / 35mm
Catherine Deneuve and David Bowie as a couple of posh, centuries-old nightclubbing New York bloodsuckers who, when one begins to show the first signs of aging, recruit assistance from Susan Sarandon’s geriatrics researcher, then find themselves in a very, very attractive throuple.
Barbara Hammer: Mischief and Play

Barbara Hammer: Mischief and Play

DIRECTOR: BARBARA HAMMER
Various / 86min / 35mm
Since the late 1960s, pioneering experimental filmmaker and artist Barbara Hammer has been making films that explore lesbian subjectivity and sexuality, politics and representation, and visceral manifestations of pleasure and discomfort, using the camera as an extension of her body to see, touch, explore, and often laugh.
Blood for Dracula

Blood for Dracula

DIRECTOR: PAUL MORRISSEY
1974 / 106min / 35mm
Cult actor Udo Kier straps on the fangs for Warhol Factory house director Paul Morrissey, playing a sickly, dying Dracula in search of virgin blood in the 1920s Italian countryside.
CAROL

CAROL

DIRECTOR: TODD HAYNES
2015 / 118min / 35mm
An exchange of glances between Carol and the girl behind the counter (Cate Blanchett and Rooney Mara) ignites one of the best romance this century has produced, as Carol Aird begins her slow seduction of the enigmatic Theresa Belivet.
Edward Scissorhands

Edward Scissorhands

DIRECTOR: TIM BURTON
1990 / 105min / 35mm
The modern-day fable of the title’s blade-fingered mechanical man (Johnny Depp), adopted into the suburban home of a family whose daughter (Winona Ryder) becomes the object of his gradually-requited affections.
THE APARTMENT

THE APARTMENT

DIRECTOR: BILLY WILDER
1960 / 125min / 35mm
Jack Lemmon tries to rise in the ranks of a New York insurance company by letting his bosses use his shoebox apartment as a love nest. However his plan is complciated when he falls for elevator operator (Shirley MacLaine).
Beetlejuice

Beetlejuice

DIRECTOR: TIM BURTON
1988 / 92min / 35mm
Winona Ryder is a brooding teen in widow’s weeds relocated by her parents to a creaky country house that happens to be haunted by the unquiet spirits of owners Alec Baldwin and Geena Davis, egged on in mischief-making by Michael Keaton’s Ghost with the Most.
A Hard Day's Night

A Hard Day's Night

DIRECTOR: RICHARD LESTER
1964 / 87min / DCP
If you want to explain everything that was sweet and strange and rocking and rollicking about the Beatles in ninety minutes or less, this is the one-stop primer, a pinball pop comedy that captures the lads at their most pleasing and eager to please.
Wuthering Heights

Wuthering Heights

DIRECTOR: WILLIAM WYLER
1939 / 104min / 35mm
Emily Brontë’s 1847 tale of the doomed romance between surly Yorkshire gypsy-cum-gentryman Heathcliff and Catherine, the love of his childhood years, has been filmed many times, though never so beautifully as in this richly atmospheric Wyler production.
20,000 Leagues Under the Sea

20,000 Leagues Under the Sea

DIRECTOR: RICHARD FLEISCHER
1954 / 127min / 35mm
A ship sent to investigate a wave of mysterious sinkings encounters the advanced submarine, the Nautilus, commanded by Captain Nemo.
EYES WIDE SHUT

EYES WIDE SHUT

DIRECTOR: STANLEY KUBRICK
1999 / 159min / 35mm
Chritsmas lights take on a sinister sheen as Dr. Bill Harford (Tom Cruise) goes on an erotic odyssey in search of a female present willing to be unwrapped.
2046

2046

DIRECTOR: WONG KAR-WAI
2004 / 129min / 35mm
The sort-of sequel to Wong’s Days of Being Wild and In the Mood for Love centers on Tony Leung Chiu-wai’s science-fiction writer Chow, chronicling his aimless affairs with women (including Faye Wong, Zhang Ziyi, and Gong Li) after Mrs. Chen has disappeared from his life.