Welcome to Metrograph!

Live Screenings with special one-night-only introductions

Select films available on demand

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Live Screenings

SPECIAL EVENT

  • Aaron Sorkin in Residence

Aaron Sorkin and Netflix present a selection of his films and the films that inspired his writing. Live screening double features introduced by Aaron Sorkin.

Tuesday Feb 16

The Social Network • 6:30PM 9:30PM

Wednesday Feb 17

Moneyball • 6:30PM 9:30PM
The Hot Rock • 9:30PM 12:30AM

Thursday Feb 18

Molly's Game • 6:30PM 9:30PM
Downhill Racer • 9:30PM 12:30AM

Friday Feb 19

The Trial of the Chicago 7 • 6:30PM 9:30PM
(followed by a conversation between Aaron Sorkin and Bradley Whitford)
Inherit The Wind • 9:30PM 12:30AM

On Demand

Kirsten Johnson Carte Blanche: Yeelen

Directed by Souleymane Cissé

Introduced by Johnson

In Cisse’s masterpiece, a young warrior in the Mali Empire of the 13-century must battle his greatest enemy—his father, a dangerous and corrupt wizard.

Watch Now
Last chance - ends tonight!

On Demand

Deux fois

Directed by Jackie Raynal

With a bonus video introduction made by Raynal

After working as an editor for Éric Rohmer and Jean Eustache, Raynal directed and starred in this wildly inventive experimental feature—one of the most notable films to have come from the Zanzibar movie collective.

Watch Now
Available On Demand
through Feb 17

On Demand

Kirsten Johnson Carte Blanche: T

Directed by Keisha Rae Witherspoon

Introduced by Johnson

In Witherspoon’s short, a film crew follows three grieving participants of Miami’s annual T Ball, where folks assemble to model R.I.P. T-shirts and innovative costumes designed in honor of their dead.

Watch Now
Available On Demand
through Feb 18

Live Screening

Journeys from Berlin/1971

Directed by Yvonne Rainer

Live Screening followed by a Q&A with the director, moderated by Gregg Bordowitz

Rainer appears for a Q&A following her exquisite film that uses excerpts of her own diary as a teenager, psychoanalytic sessions, quotidian exchanges between a couple, and critiques of state-sponsored violence in West Berlin, South Africa, and the U.S. to evoke the daily experiences of power and repression.

Join us 10 minutes prior to showtime to see our Pre-Show.
Sat, Feb 20 • 8:00PM EST
Available On Demand
Feb 21-27

On Demand

Le Franc &
The Little Girl Who Sold The Sun

Directed by Djibril Diop Mambéty‎

New restorations of two medium-length films by the Senegalese master that provide us a fuller picture of the elements that define his small, but perfect, filmography—a rich social vision, sly humor, and formal ingenuity.

Coming Soon
Available On Demand
Feb 19 - Mar 4

On Demand

Ninki Nanka, The Prince of Colobane

Directed by Laurence Gavron

Gavron’s doc follows Djibril Diop Mambéty throughout the shoot of Hyenas, and pays visits to his family and childhood friends, in order to find the real Djibril and expose the different facets of his generous, creative, and fiercely committed vagabond spirit.

Coming Soon
Available On Demand
Feb 19-25

Live Screening

Journeys from Berlin/1971

Directed by Yvonne Rainer

Live Screening followed by a Q&A with the director, moderated by Gregg Bordowitz

Rainer appears for a Q&A following her exquisite film that uses excerpts of her own diary as a teenager, psychoanalytic sessions, quotidian exchanges between a couple, and critiques of state-sponsored violence in West Berlin, South Africa, and the U.S. to evoke the daily experiences of power and repression.

Sat, Feb 20 • 8:00PM EST
Available On Demand
Feb 21-27

Journal

Video Q&A

BY METROGRAPH

This in-depth chat between the two filmmakers took place following a recent special screening of Dick Johnson Is Dead.

Interview

BY ERIC HYNES

The director of City Hall, State Legislature, and Monrovia, Indiana talks about the evolution of his 50-plus-year career in a conversation from 2016.

Essay

BY GABRIEL JANDALI APPEL

Kelly Reichardt’s First Cow sets forth
an unexpectedly gentle vision of
nascent America.

Essay

BY REBECCA PANOVKA

Today, Frederick Wiseman’s films play
like reminders of all the mundane, uncinematic elements of daily life we’ve been missing throughout the pandemic.