Now time 2026-01-16 15:27:55 Now time local 2026-01-16 10:27:55 2026-01-16
Éric Rohmer / 1987 / 99min / DCP
Hayao Miyazaki / 1997 / 133min / 35mm
Jules Dassin / 1968 / 104min / DCP
Hirokazu Kore-eda / 1995 / 110min / Digital
Amos Poe / 1981 / 120min / Digital
Paul Thomas Anderson / 2025 / 162min / DCP
Introduction by programmer Edo Choi on Friday, January 16th
Amos Poe, Melvie Arslanian, Ivan Král / 1981 / 103min / DCP
Susan Seidelman / 1982 / 93min / DCP
John Carpenter / 1988 / 94min / 4K DCP
Wim Wenders / 1984 / 145min / DCP
Robert Stevenson / 1964 / 139min / 35mm
Iva Radivojević / 2024 / 73min / DCP
Q&A with director Iva Radivojević on Saturday, January 17th
Clara Law / 1985 / 78min / DCP
Multiple Dirs / 2020 / 81min / Digital
Post-screening discussion with filmmakers Iva Radivojević and Xiaolu Wang on Saturday, January 17th
Clara Law / 1990 / 114min / DCP
Atom Egoyan / 1993 / 74min / DCP
Introduction by filmmaker Iva Radivojević on Saturday, January 17th
Hideaki Anno / 1998 / 110min / DCP
Susan Seidelman / 1982 / 93min / DCP
Stanley Kubrick / 1999 / 159min / 35mm
Fruit Chan / 1997 / 108min / DCP
Brad Silberling / 1995 / 100min / 4K DCP
Robert Stevenson / 1964 / 139min / 35mm
Alain Resnais / 1961 / 94min / DCP
Sergio Leone / 1984 / 227min / DCP
Robert Kramer / 1970 / 130min / 16mm
Hideaki Anno / 1998 / 110min / DCP
David Lynch / 1986 / 120min / 35mm
Clara Law / 1985 / 78min / DCP
Wim Wenders / 1984 / 145min / DCP
Bette Gordon / 1983 / 100min / DCP
Director Bette Gordon in person for an introduction on her film Variety and a tribute to Amos Poe on Friday, January 9th
Hu Bo / 2018 / 230min / DCP
Sergio Leone / 1984 / 227min / DCP
Hayao Miyazaki / 1997 / 133min / 35mm
Jules Dassin / 1968 / 104min / DCP
Bette Gordon / 1983 / 100min / DCP
Director Bette Gordon in person for an introduction on her film Variety and a tribute to Amos Poe on Friday, January 9th
Mamoru Oshii / 1985 / 71min / 4K DCP
Amos Poe / 1981 / 120min / Digital
David Lynch / 1986 / 120min / 35mm
Wim Wenders / 1984 / 145min / DCP
Robert Kramer / 1970 / 130min / 16mm
Kiyoshi Kurosawa / 1997 / 111min / 4K DCP
Amos Poe / 1978 / 92min / DCP
Wong Kar-wai / 2004 / 129min / 35mm
Amos Poe, Melvie Arslanian, Ivan Král / 1981 / 103min / DCP
Ridley Scott / 1982 / 117min / DCP
Hideaki Anno / 1998 / 110min / DCP
Jia Zhangke / 2000 / 154min / 35mm
John Carpenter / 1988 / 94min / 4K DCP
Andrei Tarkovsky / 1972 / 167min / DCP
Paul Thomas Anderson / 2025 / 162min / DCP
Introduction by programmer Edo Choi on Friday, January 16th
Tsai Ming-liang / 2003 / 82min / DCP
Satoshi Kon / 1997 / 81min / DCP
Jean-Pierre Melville / 1969 / 145min / 35mm
Wim Wenders / 1984 / 145min / DCP
Banmei Takahashi / 1994 / 115min / DCP
Alfred Hitchcock / 1954 / 112min / 4K DCP
Pedro Almodóvar / 1995 / 103min / 35mm
Steven Soderbergh / 1989 / 100min / DCP
Alfred Hitchcock / 1954 / 112min / 4K DCP
/ 1932 / 73min / DCP
Céline Sciamma / 2007 / 85min / 35mm
Nobuhiro Suwa / 1997 / 90min / DCP
Clara Law / 1992 / 108min / DCP
Max Ophuls / 1934 / 89min / DCP
Noah Baumbach / 2005 / 81min / 4K DCP
Q&A with editor Tim
Streeto, ACE, moderated by Joanna Naugle, ACE on Saturday, January 24th
Clara Law / 1996 / 95min / 4K DCP
Alain Resnais / 1966 / 121min / 4K DCP
Banmei Takahashi / 1994 / 115min / DCP
Susan Seidelman / 1982 / 93min / DCP
Satoshi Kon / 1997 / 81min / DCP
Clyde Geronimi, Hamilton Luske, Wilfred Jackson / 1950 / 74min / 35mm
Max Ophuls / 1934 / 89min / DCP
Jean-Pierre Melville / 1969 / 145min / 35mm
/ 1932 / 73min / DCP
Sidney Lumet / 2019 / 116min / DCP
Clara Law / 2000 / 119min / 4K DCP
Banmei Takahashi / 1994 / 115min / DCP
Haskell Wexler, Emile de Antonio, Mary Lampson / 1976 / 87min / 16mm
Pedro Almodóvar / 1995 / 103min / 35mm
Steven Soderbergh / 1989 / 100min / DCP
Alfred Hitchcock / 1954 / 112min / 4K DCP
Hou Hsiao-hsien / 2001 / 107min / DCP
Jackie Chan / 1985 / 101min / DCP
Lizzie Borden / 1983 / 79min / 35mm
Ivan Dixon / 1973 / 102min / 35mm
Roberto Rossellini / 1950 / 106min / DCP
Andrea Arnold / 2006 / 113min / DCP
Todd Haynes / 1995 / 119min / 4K DCP
Wong Kar-wai / 1988 / 98min / DCP
Satoshi Kon / 1997 / 81min / DCP
Edo Bertoglio / 2000 / 75min / DCP
Max Ophuls / 1936 / 69min / 35mm
Céline Sciamma / 2007 / 85min / 35mm
Max Ophuls / 1939 / 82min / DCP
Bahram Beyzaie / 1972 / 129min / DCP
Lizzie Borden / 1983 / 79min / 35mm
Alfred Hitchcock / 1954 / 112min / 4K DCP
Billy Wilder / 1951 / 111min / 35mm
Introduction by writer A. S. Hamrah and a book signing following the screening on Saturday, January 31st
Andrea Arnold / 2006 / 113min / DCP
/ 2005 / 93min / 35mm
Introduction by writer A. S. Hamrah on Saturday, January 31st
Andrzej Żuławski / 1981 / 124min / 4K DCP
Brian De Palma / 1984 / 114min / DCP
Tsai Ming-liang / 2003 / 82min / DCP
Clyde Geronimi, Hamilton Luske, Wilfred Jackson / 1950 / 74min / 35mm
Jackie Chan / 1985 / 101min / DCP
Roberto Rossellini / 1950 / 106min / DCP
Kaneto Shindô / 1960 / 96min / 35mm
Max Ophuls / 1939 / 82min / DCP
Michael Haneke / 2005 / 118min / 35mm
Bahram Beyzaie, Amir Naderi / 1972 / 107min / 4K DCP
Wong Kar-wai / 1988 / 98min / DCP
Amir Naderi / 1973 / 76min / 4K DCP
Todd Haynes / 1995 / 119min / 4K DCP
Brian De Palma / 1984 / 114min / DCP
Wong Kar-wai / 1990 / 100min / DCP
Éric Rohmer / 1981 / 106min / DCP
The inaugural film of Rohmer’s “Comedies and Proverbs” cycle, The Aviator’s Wife is a fleecy farce of romantic overanalysis
Bahram Beyzaie / 1974 / 146min / DCP
Apichatpong Weerasethakul / 2021 / 136min / 35mm
Nathaniel Kahn / 2003 / 116min / DCP
Q&A with editor Sabine Krayenbühl moderated by film educator Joshua Handler on Friday, February 6th
Ratchapoom Boonbunchachoke / 2025 / 130min / DCP
Michael Haneke / 2005 / 118min / 35mm
Michael Powell / 1960 / 101min / DCP
A poison pen letter to cinema, and a prime example of the medium’s unsettling, intoxicating power.
James Cameron / 1991 / 137min / 35mm
Pedro Costa / 2019 / 124min / DCP
Max Ophuls / 1933 / 88min / 35mm
Jack Arnold / 1957 / 81min / 4K DCP
Arthur Lubin / 1951 / 94min / 16mm
Max Ophuls / 1948 / 87min / 35mm
Tsui Hark / 1993 / 99min / 4K DCP
Maurice Pialat / 1983 / 99min / DCP
Amir Naderi / 1980 / 85min / Digital
Philippe Garrel / 1984 / 82min / DCP
Rainer Werner Fassbinder / 1979 / 105min / DCP
Wong Kar-wai / 1990 / 100min / DCP
David Lynch / 1999 / 112min / 35mm
Jack Arnold / 1957 / 81min / 4K DCP
Bela Tarr / 2011 / 155min / 35mm
Pedro Costa / 2019 / 124min / DCP
Bahram Beyzaie / 1974 / 146min / DCP
Apichatpong Weerasethakul / 2021 / 136min / 35mm
James Cameron / 1991 / 137min / 35mm
Bahram Beyzaie / 1979 / 102min / DCP
Michael Powell / 1960 / 101min / DCP
A poison pen letter to cinema, and a prime example of the medium’s unsettling, intoxicating power.
Satoshi Kon / 1997 / 81min / DCP
No. 7 Ludlow
NYC, NY
10002
