Columns
Futures and Pasts: Socrates
Rossellini’s one-of-a-kind approach to the costume drama, and his 1970 film on the last years of the Athenian truth-seeker.
Rossellini’s one-of-a-kind approach to the costume drama, and his 1970 film on the last years of the Athenian truth-seeker.
Foul times in the Fragrant Harbor, in Tsui Hark’s newly restored third feature.
On the wry eye and deadpan drollery of a Georgian national treasure.
On the French New Wave legend’s life before cinema, and his newly translated first and only novel.
On the sophisticatedly salacious pleasures of three newly restored, ’70s XXX classics-in-waiting.
On Sidney Lumet’s tale of morally compromised counterculture veterans trying to keep a family together.
Considering the charming medieval anomaly that is Éric Rohmer’s Perceval le Gallois (1978).
Considering Japanese master Mikio Naruse’s swan song.
Considering Christoph Schlingensief’s rampaging reunification-themed splatter comedy.