Citizen of the World

By Gabriel Jandali Appel

In a six-part pseudo-travelogue, Orson Welles playfully self-mythologizes his way across Europe.


Searching for Leader Ladies

By Rebecca Lyon

A Chicago Film Society project embraces the mysterious test-image subjects known only to projectionists and other apostles of analog.


Sounding Out Electronic Music’s Female Pioneers

By Margaret Barton-Fumo

Lisa Rovner’s new documentary, Sisters with Transistors, shines a collective light on trailblazing sonic artists long overdue for recognition.


Another Round with Vinterberg & Mikkelsen

By Laura Kern

In a pair of films, the acclaimed Danish duo lay the foundation for a lasting cinematic partnership.


Uncharted Territory

By José Teodoro

Emotional logic prevails in Claire Denis’s L’Intrus, inviting us to share its itinerant protagonist’s unmoored state.


Split Image

By Aliza Ma

With Center Stage, Stanley Kwan blends formal styles to tell the story of the tragic silent Shanghainese starlet Ruan Lingyu and redefines the biopic.


The Eyes of Tony Longo

By Genevieve Yue

On the existence of a secret cinema found on the fringes of Thom Andersen’s Los Angeles.


Life Isn’t That Simple

By Zia Anger

Being a teenager can feel apocalyptic. Sometimes a film about the end of the world is the best medicine.


When the Stars Align

By Chloe Lizotte

Stanley Kwan’s 1991 masterwork Center Stage unites two preeminent actresses divided by generations, Maggie Cheung and the silent-screen star she embodies, Ruan Lingyu.


Pizza Party

By Metrograph

In honor of Untitled Pizza Movie, we asked local filmmakers and other friends of Metrograph to share their pizza-related memories and favorite spots to grab a slice, past or present.


Reverse Shot on Djibril Diop Mambéty:
Things Unseen

By Boukary Sawadogo

Laurence Gavron’s documentary Ninki Nanka, The Prince of Colobane closely observes the celebrated director during the making of his final feature, Hyenas.


Follow the Money

By Yasmina Price

Djibril Diop Mambéty’s Le Franc and The Little Girl Who Sold The Sun combine a harsh critique of neocolonial structures with buoyant portraits of those surviving at their margins.