Essay
Somersault
On Cate Shortland’s assured directorial debut on sexual awakening.
Essay
Essay
Can She Bake a Cherry Pie?
On Henry Jaglom’s effervescent anti-rom-com.
Essay
Re-Wind
On the AV dreams and celluloid nightmares of Hisayasu Satô’s Re-Wind.
Essay
Orangey, Revisited
A video essay ode to the inimitable feline screen star.
Essay
Green Snake
On Tsui Hark’s subversive reimagining of an immortal Chinese folk tale, starring Maggie Cheung as a serpent demon.
Essay
Travel Companions: Bahram Beyzaie & Amir Naderi
On two defining Iranian filmmakers, and two of their most enduring works.
Essay
A New Love in Tokyo
On the pulse of pleasure in Banmei Takahashi’s effervescent Pink drama.
Essay
The Company’s in Love
On Max Ophuls’s first feature and the signature tragedies it set in motion.
Essay
Ice
The last gasp of revolution in Robert Kramer’s not-quite-agitprop thriller.
Essay
A Girl is a Gun
On Luc Moullet’s beautifully perverse and eternally shapeshifting Western.
Essay
Camera! Rosé! Action!
Translated into English for the first time by Ted Fendt—a chapter from the French New Wave filmmaker’s memoirs, detailing the making of his 1971 “Bouillabaisse Western” A Girl is a Gun.
Essay
Memories of a Vietnamese Cinema
On the romance that shaped Vietnamese revolutionary cinema.