I would begin my movie about Jane this way: by describing and then leaving behind Godard and Gorin’s ultimately male take on Jane.
Metrograph exclusives — original essays and interviews
April 26 Emile de Antonio's Double Bills
In 1974, Emile de Antonio, the radical filmmaker whose cinematic chronicles of Cold War America changed the face of documentary moviemaking, was speculating about how best to present a survey of his work.
March 29 "Improvisational Jamming": The Process and Production of Personal Problems
It all began with an idea that to many seemed inconceivable.