Interview
Interview
Welcome Back to the Metrograph Bookstore
By Metrograph
The Metrograph Bookstore has re-opened doors, under the loving care and curatorship of Matt Folden and Nick Pinkerton.
Interview
A teenager with some chalk
By Nick Pinkerton
An interview with Radu Jude about his 2020 film Uppercase Print.
Interview
Stephanie Hayes
By Yonca Talu
The spellbinding lead of Slow Machine talks about bringing to life the character of a capricious actress, a role tailor-made for her.
Interview
Laurie Anderson
By Chloe Lizotte
The one-of-a-kind interdisciplinary artist and narrator of Sisters with Transistors talks about the women at the heart of that film, her earliest video pieces, and her newest adventures in AI.
Interview
Agnès Godard
By Yonca Talu
Claire Denis’s longtime DP talks about filming the beautifully mysterious, Faulkner-inspired L’Intrus in picturesque locales from France’s Jura Mountains to the Polynesian Islands.
Interview
Claire Atherton
By Yonca Talu
Chantal Akerman’s frequent editor of three-plus decades talks about the process, and honor, of working with the celebrated Belgian filmmaker on a trio of her later documentaries.
Interview
Eliza Hittman
By Austin Dale
The Never Rarely Sometimes Always director discusses her career, Planned Parenthood, and how she gamed the casting process.
Conversations
Gardener’s Question Time:
Derek Jarman
By Metrograph
Prior to a run of Jarman’s little-seen masterpiece The Garden at Metrograph theater last year, we uncovered this rare interview with the director from 1990 in the movie’s original press materials.
Interview
Spike Lee
By Jake Perlin
Spike Lee joined Metrograph in person during the 2016 presidential election to present two of his favorite films: Ace in the Hole and A Face in the Crowd.
Conversations
Oliver Laxe
By Yonca Talu
The director talks about his powerfully meditative third feature, Fire Will Come, for which he returned to his roots to make.
Interview
Milton Moses Ginsberg
By Steven Mears
The director of the satirical Watergate-era chiller The Werewolf of Washington considers the nexus of horror and politics, and recalls his attempt to exorcise personal and national demons with his camera.