Essay

Elaine May’s Worst-Kept Secret

by Keva York

On Elaine May’s pseudonymously penned second screenplay, Such Good Friends (1971).

by Philippa Hawker

A close-up on six of Jean-Pierre Léaud’s finest comic performances.

by Rachel Kushner

On two new portraits of the enigmatic actress.

by Will Sloan

Revisiting James Cameron’s beleaguered first underwater dive, The Abyss (1989).

by A. S. Hamrah

by Nathan Lee

by Philippa Snow

A look at three of the most seductive onscreen adaptations of the writing of Eileen Chang.

by Paul McAdory

by Alice Gribbin

by Sasha Frere-Jones

On Anaïs Ngbanzo’s portrait of the pioneering avant-garde composer, now finally getting his due.

by Chloe Lizotte

by Aaron Stern