The director, co-writer, and co-producer of Nothing But a Man talks about the inception and making of his groundbreaking 1964 debut feature, which is still finding the audience it deserves.

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A 20-minute illustrated history of the production of the film, with director Manfred Kirchheimer, recorded for Oscilloscope Laboratories’ limited-edition DVD release.

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The cinematic intersection of two African-American pioneers yielded a pair of explorations of Robeson, made by Bourne 30 years apart, and The Green and the Black, a doc whose search for solidarity feels as if driven by Robeson’s guiding principles

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The director of Stations of the Elevated revisits the film’s NYC settings nearly 40 years later. This video originally appeared as a bonus feature on Oscilloscope Laboratories’ DVD.

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Introduction Claire Denis Introduces L’Intrus Last April, Denis joined Metrograph theater to present two of her finest works. These are the words she shared prior to her 2004 film L’Intrus, which screened alongside No Fear, No Die. I am not completely strong tonight because I flew yesterday, and it’s the time of the day when…

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Interview Alain Resnais BY PHILIPPE LABRO Resnais talks about the making of and motivations behind his time-travel film Je t’aime Je t’aime, which he insists is not science fiction, in an interview from 1968. How long was the shoot? Nine weeks. Let’s first talk a little bit about the hero, Claude Rich/Ridder. In a certain…

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Essay An Introduction to the Screenplay for Duet for Cannibals Essay By Susan Sontag Written in November 1969 in New York, this introduction appeared in the Noonday Original Screenplay edition, published in 1970 and now long out of print. The first version of the script Duet for Cannibals, which I wrote in Stockholm in August…

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