When you think of film noir, you naturally think monochrome: the blackest of tenebrist shadows, the starkest of whites. But the legacy of noir has long outlived the era of postwar austerity that birthed it, resurfacing in the so-called “neo-noir” revival of the DayGlo 1980s, an era that was hardly noted for its muted palette. With Neon Noir, Metrograph showcases films from around the globe that have given the flinty, hard-boiled spirit of classic noir a makeover in flamboyant synthetic fabrics and post-MTV style, from the Hong Kong of Wong Kar-wai’s Fallen Angels to the Los Angeles of Nicolas Winding Refn’s Drive. An infusion of vivid, gaudy, glowing color into the dark heart of noir.