ACE Presents, our popular collaborative series with American Cinema Editors (ACE), continues in March and April with two very special screenings.
For one night only in March, Bobbie and Molly O’Steen return to discuss revered editor Sam O’Steen’s work on Stuart Rosenberg’s Cool Hand Luke (1967), a hard-hitting prison picture starring a career-best Paul Newman.
In April, Metrograph welcomes editor Jeffrey Wolf, ACE, to discuss in-depth his work on Tamra Davis’s Billy Madison (1995), the enduring Adam Sandler classic.
American Cinema Editors (ACE) is dedicated not only to advancing the art and science of the film editing profession, but also to helping the public understand the role of the editor and the impact their contributions have on a motion picture. With this series, ACE pairs a great film and a moderated conversation with that film’s editor, providing a glimpse into one of cinema’s most vital but least understood artistic practices.
