Back to At Home CLASSIC CINEMABeloved favorites from cinema's Golden Age. Fairly squirming with sexual jealousy, and steeped in the shadows of imported German Expressionism, Asquith’s revenge melodrama follows a barber’s assistant’s fatal attraction to a new co-worker.A COTTAGE ON DARTMOORAnthony Asquith | 88 min | 1929 Master of melodrama Borzage adapts Hemingway’s 1929 novel of love and war, with Gary Cooper as the American serving in the Italian ambulance brigade in WWI.A FAREWELL TO ARMSFrank Borzage | 80 min | 1932 Wellman’s wrenching Technicolor melodrama of rising and falling stars streaking past one another, in the unsurpassable original version.A STAR IS BORNWilliam Wellman | 111 min | 1937 A singular document of Thatcher-era South London immigrant life, Rosso’s cult sound-system drama is hard-nosed, indignant, and utterly compelling.BLESS THEIR LITTLE HEARTSBilly Woodberry | 80 min | 1983 Roffman’s feature debut follows a straight-and-narrow cat who falls into a seedy underworld of beatnik baddies, led by a young Peter Falk.THE BLOODY BROODJulian Roffman | 80 min | 1959 The film that first paired Josef von Sternberg and Marlene Dietrich, launching one of the greatest actress-director collaborations in cinema history.THE BLUE ANGELJosef von Sternberg | 104 min | 1930 A four-part anthology comedy exploring love and the liberated woman in contemporary Italy, featuring contributions by some of the country’s greatest working filmmakers.BOCCACCIO '70Vittorrio De Sica, Federico Fellini, Mario Monicelli, Luchino Visconti | 205 min | 1962 A full-blooded melodrama in which Paul Robeson, in his film debut, plays a double role as an escaped prisoner and his long-lost twin brother.BODY AND SOULOSCAR MICHEAUX | 102 min | 1925 Arthur Ripley’s nightmare-logic thriller propels a penniless, PTSD-haunted WWII vet into a job behind the wheel for a Miami mobster.THE CHASEArthur Ripley | 86 min | 1946 Buster Keaton goes to college where he tries to bulk up to impress a beautiful co-ed with predictably hysterical results.COLLEGEBuster Keaton | 66 min | 1927 When their leading man is killed during a film shoot, production manager Bela Lugosi and screenwriter David Manners must race against time to collar the culprit.THE DEATH KISSEdwin L. Marin | 75 min | 1932 A group of soldiers embark on a surreal journey to escape from behind enemy lines in Kubrick’s genius debut feature.FEAR AND DESIREStanley Kubrick | 62 min | 1952 A federal agent falls for a Mississippi schoolteacher and rescues her from the clutches of a local crime kingpin—but when the pair escape to Harlem, safety still eludes them.THE GIRL FROM CHICAGOOSCAR MICHEAUX | 70 min | 1932 Sixties “It” Girl Marianne Faithfull leads the mod-styled erotic delirium as a Harley-riding free spirit rendezvousing with both her lover, played by Alain Delon, and her husband.THE GIRL ON A MOTORCYCLEJack Cardiff | 91 min | 1968 The work of self-taught African American evangelists, this surreal featurette is a campy episodic catalog of iniquity set on the titular choo-choo.HELLBOUND TRAINJames and Eloyce Gist | 50 min | 1930 Lupino’s personal favorite of her directorial efforts, a nerve-wracking, impeccably performed thriller about a vacation gone awry.THE HITCH-HIKERIda Lupino | 71 min | 1953 A brilliantly claustrophobic adaptation of Harold Pinter’s play about a young man who returns to the hornet’s nest of his estranged family’s London home for the holidays.THE HOMECOMINGPeter Hall | 111 min | 1973 Lee Marvin and Jeff Bridges lead Frankenheimer’s definitive take on the habitual tipplers who gather at Harry Hope’s saloon, and their dashed pipe dreams.THE ICEMAN COMETHJohn Frankenheimer | 239 min | 1973 Buñuel’s first feature, a savage surreal satire taking aim at bourgeois morality, the Catholic Church, and society as a whole.L'AGE D'ORLuis Buñuel | 63 min | 1930 Murnau’s bold use of a moving camera changed cinema forever in this simple, tragic story of a hotel doorman whose life falls apart after he loses his job.THE LAST LAUGHF. W. Murnau | 90 min | 1924 A lonely teenage boarder falls for her teacher in Leontine Sagan’s pioneering all-female cast lesbian romance.MÄDCHEN IN UNIFORMLeontine Sagan | 87 min | 1931 Exploitation pioneer Esper’s zilch-budget roadshow thriller is a down ’n’ dirty little number involving mad scientists, vaudevillians, showgirls, and a cat-farmer named “Goof.”MANIACDwain Esper | 51 min | 1934 The Mask isn’t just the first Canadian horror feature and the first Canadian film shot in 3D—it’s also a landmark of psychedelic cinema, dating from a time before most of the world had heard of LSD.THE MASKJulian Roffman | 83 min | 1961 Lang’s expressionist epic—the definitive science-fiction bonanza of the 1920s—in which a downtrodden proletariat underclass rise up against their masters.METROPOLISFritz Lang | 149 min | 1927 Introduced by Charles Burnett.MY BROTHER’S WEDDINGCharles Burnett | 115 min | 1983 A beautiful young dancer is suddenly crippled by polio in Ida Lupino’s hard-eyed, semi-autobiographical melodrama.NEVER FEARIda Lupino | 82 min | 1950 Young Dennis Hopper stars as a sailor who falls in love with a woman who may or may not be a real-life mermaid.NIGHT TIDECurtis Harrington | 86 min | 1961 Arguably the greatest of the films that the legendary French director Jean Renoir made in Hollywood, The Southerner is a tough, unvarnished portrait of the hardships of rural life.THE SOUTHERNERJean Renoir | 92 min | 1945 Orson Welles’s oft unfairly overlooked third feature, a baroque thriller about a war crimes investigator looking for a Nazi fugitive in small-town Connecticut, with Welles starring as the prime suspect.THE STRANGEROrson Welles | 95 min | 1946 In the elite class of Lang’s American films, this seamy, gut-twisting noir about a painter looking for love in all the wrong places is one of the most thoroughly devastating films ever produced in Hollywood.SCARLET STREETFritz Lang | 102 min | 1945 Writer-director-star Charles Lane’s contemporary update of Chaplin’s The Kid, shot in beautiful black and white in downtown New York.SIDEWALK STORIESCharles Lane | 97 min | 1989 The magisterial final collaboration between Sophia Loren, Marcello Mastroianni, and director Vittoria De Sica.SUNFLOWERVittorrio De Sica | 107 min | 1970 Alberto Cavalcanti’s direction lends a palpable sense of mounting dread to this sterling specimen of the spiv film.THEY MADE ME A FUGITIVEAlberto Cavalcanti | 78 min | 1947 Ernst Lubitsch’s silent satirical fantasy, in which a playboy Lieutenant sent to a remote alpine outpost loses his head over two women.THE WILDCATErnst Lubitsch | 79 min | 1921 The holy trinity of Loren, Marcello Mastroianni, and De Sica reunite in this triptych buoyant boudoir comedy.YESTERDAY, TODAY AND TOMORROWVittorrio De Sica | 119 min | 1964
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